Back in the mists of
time when I was a Lad and an aspirant Lout I used to attend a local annual shindig
in my then Home Town.
Lichfield was my home town.
Not the town of my birth because that is somewhere nebulous and unromantic, nor
the town of my residence which is permanent and very far away – but the town of
my formative years, mid primary to very late high-school. Important years that
make or break you. Where the transition from coddled childhood transmogrifies
into angst ridden teenage-hood and blooms into early adult-hood. Or at least
should have done.
My Home Town, Lichfield – like an aspirant Lout
but with deep seated and ancient memories blossomed once a year and put on a
spectacle of bewildering hedonism. To my young eyes suddenly everything went
just a little bit pear shaped.
The Town, nay – the City (for that in truth
is what it is) burst into an excess of Pomp, Circumstance and Riot.
The Bower!
To the pre-adolescent the Pomp was at
times just plain daft – portly men prancing around in violently coloured robes
of designs that were already looking a tad passé two and a half centuries ago.
They also wore heavy neck jewellery and carried broad-swords that would have
been useful in a normal medieval confrontation had they not been hampered by
the inexplicable need to carry a school bell in the other hand. More Pomp was
provided by a Procession that, from memory, comprised marching folk in a
variety of uniforms; military, para-military, nurses, girl guides and boy
scouts. At one time or another I was part of the boy scout section – which in
essence was only distinguishable from the other uniformed branches of society
by the types of flags and standards we had to carry and the number and designs
of badges sewn onto our uniforms.
The excitement of the procession was
however the floats; flat-bed diesel belching lorries and farm trailers dressed
up and decorated; inhabited by people in fancy dress frozen in wobbly, slightly
self conscious tableaux depicting various historical events or celebrating societies
doing good works. The principal float was of course the Bower Queen and
attendant Princes and Princesses encased in a pink and flowery raffia paper bower
(ah – perhaps that is where the name comes from!). But I don’t remember a Bower
King . . .
The Circumstance was all about the
sudden sprouting of strange and alien stinking greasy diesel demonic engines
that after a mere day or two of spawning became twisting, turning, whizzing
infernally coloured machines emanating loud discordant satanic music.
They were Hideous and smelt like Death. It
was Anarchic and reeked of a freedom far beyond normal life. It was Tremendous,
it was the Fair and it was Magic!
The Fair was, from memory, situated in two
parts of town. The Big Wheel was located at the top of a hill to the North of
the town centre. A commanding position for hot-dog, alcohol and candyfloss stomachs
to fuel late-night projectile vomiting on to the crowds below.
The other site for the Fair, a vast
car-park expanse, contained – in contrast to the stately vertical Big Wheel - crazy
horizontal whirligig monsters that spun like demented gigantic chemistry models
demonstrating the relationship between atoms and neutrons in some demonic
molecule that no sane teacher (and we had no sane teachers) could ever
conjure up. Here you could at least escape the atomised regurgitated beer spray
by sheltering in the stalls where you could win a Cuddly Teddy for your current
aloof, leggy girlfriend by trying to shoot playing cards with doctored
air-rifles or slinging wooden rings over carefully crafted pedestals that
defied a “clean ring”.
Empty handed and tiring of these gentler
pursuits you could retire to the frenetic and oh-so macho delights of the
Dodgems. Dante’s Inferno springs to memory as seated in not-so womb-like
vehicles (decorated with the ubiquitous odour of second hand candy-floss) you
were flung around in swirling glissando’s under the crackling electric fire
from the pylon contacts sliding across a highly charged electrical grid just a
little above head-height – all to the sound of Satan’s Wurlitzer Waltz. I
never understood if these were actually dodgems
or bumpers. The latent performing
artist in me wanted them to be dodgems
weaving around artlessly in balletic splendour like negative attractors. But
the current testosterone fuelled sportsman had them as bumpers, vicious in head-on encounters, and I think I now suffer
from the vestiges of early onset whiplash, testament to many fender-benders.
Manly youths in greasy jeans and newly
laundered grubby T shirts, with tattooed forearms and biceps leapt expertly (and now I think about it with balletic grace) from
car to car and wooed all the chicks with rough Irish accents and I was too
scared, far too scared to remonstrate because I knew, just knew that I was
small and ineffectual, and not quite ready to have the shit beaten out of me!
Which brings me on to the Riot bit .
. . although perhaps “Riot” is a bit strong. Remember though if you will, that
period around adolescence, both sides of that awful, indefinable period where
anything new, odd, out of the ordinary, faintly dodgy – was just, bloody,
amazing. Remember – at its most
mundane – the indescribable delight when that pompous English teacher put his
daft foot in the waste paper bin and couldn't extricate it but absurdly took
offence at his predicament?
Remember the mass slippering by demented
sports teachers incapable of any other form of crowd control . . .
. .
. . .remember . . .
. . . . . . . . . . . . . .remember . . . .
Remember the Bower – that time when the
city burst into an excess of Pomp and Circumstance, which to the formative mind
was anarchic and there was a very real feeling of danger in the air. Remember also
that I talk of a time of the “Greaser” – a dark and dangerous creature
belonging to a band of violent miscreants who wore leathers and rode motorbikes,
and beat you up with cycle chains. The time of the Skin-heads who wore Doc
Martins and clothes with fashion labels and had girl friends that were even
more violent than Greaser girl-friends. The time when “Clockwork Orange” had
become a popular clarion call to youthful freedom and anarchy and a fashion
vehicle for local Psycho’s to parade their own form of temporary urban terror.
I remember the Bower then through the acute
teenage lens of excitement tinged with that unique frisson of teen, pre-teen
not quite battle-hardened anxiety that happens when a town throws off its staid
mantle for a bank-holiday weekend, lifts its skirts, and does just a little bit of a
very English jig.